Procedural Sequence

Scene Overlay Study

This image is the result of consecutive camera angle overlays of a scene from  Ingmar Bergman's "Wild Strawberries".  Intentionally, I did not have any ambition for what this drawing would yield, I hoped that it would hint at a possible conclusion about frame, contrast, depth of field, composition, and a play at deep space and shallow space.   The scene opens with the ghosted image at the bottom then progresses, with a new image representing a camera cut, throughout the scene to the top of the image.  

More to come.