Spatial and Temporal Sequence : Part A

Within Bergman's scene I was interested within the creation of depth through layering.  I formed a construct in which shadow and depth are interrelated.  From this framework of layering primal shapes movement could be interpolated through a series of thresholds.  These thresholds correlate to foreshadowing, key frames and intense shadow within the film segment.  

An assemblage of simple shapes create a binding framework of layers.

Deconstruction of movement through threshold combined with a re-assemblage of overlapping curves.  These curves suggest temporal movement in their overlap as well as pace, anticipation and movement of the character within the scene.